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The big Victoria he's often seen with has bazillions of switches. He probably has not one but several gradations of tremolo to choose from.
But in the performances we tend to see on the 'tube, "Dry" seems to be the choice . . . He has made a recording homaging Paris musette music, giving it his jazz treatment . . . not sure where my copy is, but every track can't be bone-dry . . .
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