Quint-essence
Newbie
Hi all
First post, please forgive me if I’m in the wrong thread…
I am in Calgary Alberta Canada and have a venerable Titano combo cordion - the brightly coloured ones with the quint stop- and recently, likely an exchange rate thing, picked up this mic from Brazil for a decent price.
How we can’t find anyone to install it, they’re nervous about the space required for the mic given that the Titano is not full sized.
I also have little, if any skills.
Want to put the current mic to rest after its long career - also want to explore using pedals - Leslie like pedals- to transform this Titano into a Hammond b3 -like sound so I need to have a clean signal.
The quint is a 5 1/3 drawbar equiv in the Hammond (second from left between the 16’ and the 8’ ) so I can mate it with an 16’
or 8’ equivalent in the Titano’s switches.
The 16’ has those rich overtones, the 8’ switch when combined with the 51/3 equiv sounds like a synth or Zurna and cuts through the musical clutter. So fun to play.
Ideas, anyone? If I go very slowly could I do this myself, perhaps with a musical electronics tech? Clearly don’t want to jeapordize that fun instrument. Probably outlived most vox continentals…
Many thanks
Keith
First post, please forgive me if I’m in the wrong thread…
I am in Calgary Alberta Canada and have a venerable Titano combo cordion - the brightly coloured ones with the quint stop- and recently, likely an exchange rate thing, picked up this mic from Brazil for a decent price.
How we can’t find anyone to install it, they’re nervous about the space required for the mic given that the Titano is not full sized.
I also have little, if any skills.
Want to put the current mic to rest after its long career - also want to explore using pedals - Leslie like pedals- to transform this Titano into a Hammond b3 -like sound so I need to have a clean signal.
The quint is a 5 1/3 drawbar equiv in the Hammond (second from left between the 16’ and the 8’ ) so I can mate it with an 16’
or 8’ equivalent in the Titano’s switches.
The 16’ has those rich overtones, the 8’ switch when combined with the 51/3 equiv sounds like a synth or Zurna and cuts through the musical clutter. So fun to play.
Ideas, anyone? If I go very slowly could I do this myself, perhaps with a musical electronics tech? Clearly don’t want to jeapordize that fun instrument. Probably outlived most vox continentals…
Many thanks
Keith