M
maugein96
Guest
As a lifelong listener to the French musette playing styles I see more and more that Italian branded accordions are being used by current players, and there is nothing wrong with that at all.
Italian made accordions in France have been around since 1904 when Cavagnolo opened their factory in Lyon, having come there from Piemont in Italy. In fact without the Italian influence there would have probably been no accordions in France at all.
Here is what a Paris tuned LMM (with tone chamber) Italian made Fratelli Crosio accordions sounded like in the 50s/60s. There were none better in terms of quality and sound:-
The name Fratelli Crosio disappeared forever in 1995, after 20 odd years of being run by another Italian company who never used their own brand name.
These days we have carbon fibre and pure wood accordions, and they are now becoming very sought after as the instruments to go for.
Dont know what Armand Lassagne would make of them, but the tone of that Fratelli Crosio in the clip epitomised the Parisian version of musette when the instrument was in its heyday.
Italian made accordions in France have been around since 1904 when Cavagnolo opened their factory in Lyon, having come there from Piemont in Italy. In fact without the Italian influence there would have probably been no accordions in France at all.
Here is what a Paris tuned LMM (with tone chamber) Italian made Fratelli Crosio accordions sounded like in the 50s/60s. There were none better in terms of quality and sound:-
The name Fratelli Crosio disappeared forever in 1995, after 20 odd years of being run by another Italian company who never used their own brand name.
These days we have carbon fibre and pure wood accordions, and they are now becoming very sought after as the instruments to go for.
Dont know what Armand Lassagne would make of them, but the tone of that Fratelli Crosio in the clip epitomised the Parisian version of musette when the instrument was in its heyday.