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Question about Elsbeth Moser's "The Chromatic Button Accordion C-Keyboard System: A Systematic Approach"

Dark Phoenix

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I've just started looking into this method, as I'm a CBA player (Roland FR-1XB). Her description of the righthand set of buttons is exactly what I would expect, but her description of the lefthand set of buttons--as being a mirror image of the righthand set--makes no sense to me. I thought that my Roland had a fairly standard layout of the lefthand keys, but they do not mirror the layout of the key on the righthand. Can anyone offer any insight into this discrepancy? Do European CBAs have mirror-image layouts of the right- and left-hand sets of buttons?
 
I've just started looking into this method, as I'm a CBA player (Roland FR-1XB). Her description of the righthand set of buttons is exactly what I would expect, but her description of the lefthand set of buttons--as being a mirror image of the righthand set--makes no sense to me. I thought that my Roland had a fairly standard layout of the lefthand keys, but they do not mirror the layout of the key on the righthand.
That's because you left your Roland at the standard lefthand button layout which is a 2-4 Stradella bass. Elsbeth Moser, however, talks about free bass/converter mode in the left hand. The FR-1XB has a free bass mode that can do the same.
Can anyone offer any insight into this discrepancy? Do European CBAs have mirror-image layouts of the right- and left-hand sets of buttons?
In free bass mode, yes.
 
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