G
Ganza
Guest
My second-hand Piermaria 318 (L?) has a French bass setup.
It goes like this:
Minor 3rd (one row down)
Major 3rd
Bass
Major chord
Minor chord
French 7th chord
What I'm trying to show is that the minor 3rd, instead of being in the same row, is one row down.
Does anyone know why this is? And, do you think it makes bass runs easier to play by being displaced by one row? I'm not sure that it does...
The diminished button is already displaced by one row too of course in the French system, and on my accordion, the Minor 3rd is ALSO displaced by 1 row too!
Help!
Luckily, the 4 sequential method books I have (which came with the accordion) from the 70s/80s, written by Andree Astier and Joss Basseli, use the same bass system as I have in my Piermaria (including the Minor 3rd being displaced!)
It goes like this:
Minor 3rd (one row down)
Major 3rd
Bass
Major chord
Minor chord
French 7th chord
What I'm trying to show is that the minor 3rd, instead of being in the same row, is one row down.
Does anyone know why this is? And, do you think it makes bass runs easier to play by being displaced by one row? I'm not sure that it does...
The diminished button is already displaced by one row too of course in the French system, and on my accordion, the Minor 3rd is ALSO displaced by 1 row too!
Help!
Luckily, the 4 sequential method books I have (which came with the accordion) from the 70s/80s, written by Andree Astier and Joss Basseli, use the same bass system as I have in my Piermaria (including the Minor 3rd being displaced!)