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Way to go @Georgebazaes! You've really got a handle on that scary Handel Sarabande. It's macabre music on a grand scale... and Scandalli really do make the most neo-Gothic of accordion designs too. I also love that very distinctive and melodious tone.
George Bazaes:
Compared to your cathedral-grade accordion, my Scandalli converter is more of a chamber accordion, though it shares a similar design aesthetic.
Here's my slightly more compact and slightly less spooky Scandalli converter in still-life scene curated by my young family.
By the way George, if you get the chance you could also try Massenet's Elegie, it's definitely got some of the Victorian Gothic vibe evoking images of creaking staircases, wispy spiderwebs and ghostly sounds... I play it too, though I was particularly enchanted (and a little disconcerted) by this recording of Rosa Ponselle nearly a century ago, in 1926.
Good work George!
George Bazaes:
Compared to your cathedral-grade accordion, my Scandalli converter is more of a chamber accordion, though it shares a similar design aesthetic.
Here's my slightly more compact and slightly less spooky Scandalli converter in still-life scene curated by my young family.
By the way George, if you get the chance you could also try Massenet's Elegie, it's definitely got some of the Victorian Gothic vibe evoking images of creaking staircases, wispy spiderwebs and ghostly sounds... I play it too, though I was particularly enchanted (and a little disconcerted) by this recording of Rosa Ponselle nearly a century ago, in 1926.
Good work George!
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