It is a very positive evolution we see more and more international cooperation in the field of accordion education.
Accordion teachers and concertists touring the whole world to give recitals, concerts, masterclasses, having teaching positions at foreign accordion conservatories and institutions.
Also major record labels and major players in the music industry (DG, Naxos, Sony, ...) are opening the doors for accordionists.
Young Chinese accordion virtuoso Hanzhi Wang is being invited by US American universities to hold masterclasses and give recitals.
Naxos released a solo cd.
She has played classical accordion at Carnegie Hall.
Very good the doors of the holy concert halls of the violin, cello and piano are finally wide open for classical accordionists.
Long gone are the days in the first half of the 20th century when the elite of the classical musical world closed the doors of their holy concert halls for the Schweineorgel (the swines church organ), as it was called in Germany by the elite (source: the Hartmut Berghoff book on the history of the Hohner harmonica and accordion industry in Trossingen)
Interesting interview by Naxos USA with Hanzhi Wang about the accordion in music education.
Wise words by a young accordion virtuoso !
I would give an arm for the new generation of accordion virtuosos to take an active role in the accordion forums on the internet.
We, older generations (well... Im 47 now), can learn a lot from their international professional experiences.
On her tours, Im glad she also made time to perform in Ghent, Belgium.
https://naxosusa.com/6-questions-with-hanzhi-wang/
quote:
There is a quite big difference in perception of the accordion around the world. In Europe, one experiences the accordion a lot, both in smaller or bigger concert halls, as a part of ensembles, and in most of the important academies. In China, it is a fairly new instrument, with lots of enthusiasm and growing possibilities. However, in America, it is still rare to find accordion in the classical world at all. This of course also goes hand in hand with the accordion’s very limited involvement in American music schools, which limits the interest from composers. I look forward to present the accordion as much as possible in the US, since I now have a lot of activity here.
https://marybaldwin.edu/news/2019/0...t-feature-classical-accordionist-hanzhi-wang/
quote:
[color=rgba(0, 0, 0, 0.8)]
Wang’s debut opened the Young Concert Artists Series in New York, in The Peter Marino Concert at Zankel Hall at Carnegie Hall, and her Washington, D.C., debut opened the Young Concert Artists Series at the Kennedy Center. In 2018, Musical America named Hanzhi Wang “[/color]
New Artist of the Month[color=rgba(0, 0, 0, 0.8)]
,” and Naxos released its first-ever solo accordion CD,[/color]
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... [color=rgba(0, 0, 0, 0.8)][size=large]performances and master classes at the Manhattan School of Music, Royal Danish Academy of Music, Tianjin Music Conservatory, Beijing’s Capital Normal University, Tilburg and Ghent Music Conservatories (Belgium), and the inaugural 2018 Nordaccordion Festival in Norway.[/color]
[color=rgba(0, 0, 0, 0.8)]Wang earned her bachelor’s degree at the China Central Conservatory of Music in Beijing, and her master’s degree at the Royal Danish Academy of Music in Copenhagen.[/color][/size][/color]