craigd
Active member
So I'm back to my oddball CBA, a Finnish 5 row 37 note Pigini convertor with the low basses at the bottom, Russian style.
So it's g on the outer row, c on the middle row. I read somewhere about playing on the middle three rows and using the outer and inner rows for alternative fingerings. Not sure the pros and cons of that approach, but on the face of it it makes some sense. Or I could treat it as a c griff and play the inner three rows. Or I could continue with the little bit of a start I have, just using the outer three rows until I'm ready to try some alternative fingerings on the inner two.
I know all kinds of fingerings and approaches are used to these crazy accordions. Which one would you suggest to someone who is still just starting out?
So it's g on the outer row, c on the middle row. I read somewhere about playing on the middle three rows and using the outer and inner rows for alternative fingerings. Not sure the pros and cons of that approach, but on the face of it it makes some sense. Or I could treat it as a c griff and play the inner three rows. Or I could continue with the little bit of a start I have, just using the outer three rows until I'm ready to try some alternative fingerings on the inner two.
I know all kinds of fingerings and approaches are used to these crazy accordions. Which one would you suggest to someone who is still just starting out?