Well, its not quite my cup of tea, but its damn fine indeed!
Glenn, I sincerly think that we are all on the same page about agreeing that anything anyone does on an accordion that perks up another person's ears is good, and I cannot express how happy it makes me inside to see all these new names that are totally unknown to me, not just people over 50 either, we're getting a serious influx of young blood in this world, and it's all terribly exciting!
That said, it's still ok to have an opinion, good or bad... it's the indifferent ones we want to avoid. Discussion and sharing of opinions is all good, because if someone tells me "I hate that!", I can ask them to show me how they play or what they like.
In this video, I can easily see the lines where technology and accordion meet, something that is made harder for us digital accordion players, who have a foot in both camps... but not... lol
Musicially, it's undeniably good. Technologically it might be intimidating to some. Oddly enough its not the quality of her accordion that is making me hesitant, but the plainess of her backing sounds, yet I am 100% certain that this was exactly the feel she wanted and accomplished perfectly.
So much complexity for something so simple to setup or pre-record without needing all those foot pedals and switching around. Here is the funny part, I am pretty sure that she would tell me that haing all those pedals at her disposal is liberating, and yet many of us find it confusing. It's ok to say that, what is important is that the musician using them isn't confused.
Great quality of sound, nicely well thought-out camera position. In short, it's not the way I ever want to play Chopin, but I find it inspiring.