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Advice on playing more gently

Jaime_Dergut

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Hello dear accordion community,

I hope you are all doing okay.

Recently, I found this sheet music online for free, and I remember it is a well know song written by Ludwig Van Bethoven.


Now, I noticed that, while the score suggest keeping a sustained note on the bass, I find it somehow unpleasant and overwhelming for the treble side, if I do it most of the time.

I found out it kind of sounds more gentle if I play using brief beats on the bass instead of keeping it sustained, but what are your thoughts about playing scores like this?


Thanks for your time and consideration.

Sincerely,

Jaime, a lucky man.
 
I would agree with you that the shorter bass notes would sound better. Maybe try to do half notes, or combination of half and quarter notes in the bass in some sort of musical fashion, like ascending, descending, etc. that make sense with the treble melody. For example, in the last 3 measures half notes of G, E, C, E, G, C or some such. Good luck!!!!
 
It might depend on which bass register is being selected. I would not use Master for playing something like this, but it might be worth trying another register that has fewer simultaneous noted being played; such as soft bass or tenor.
 
Here is what we played long ago...
Song of Joy
It's in A major, but it has different bass notes.
As for registration, it is indeed best not to use the Master bass register but something like LM(M), and if the bass overpowers the treble you can play the treble in something like LMH or Master and play it 8va.
 
Hello dear accordion community,


Now, I noticed that, while the score suggest keeping a sustained note on the bass, I find it somehow unpleasant and overwhelming for the treble side, if I do it most of the time.

I found out it kind of sounds more gentle if I play using brief beats on the bass instead of keeping it sustained, but what are your thoughts about playing scores like this?
I hear that more in the vein of piano than harmonium. Now if you are not confined by the lack of fantasy of electronic accordion manufacturers (but for those, you can just use a plucked bass sound), your accordion is an analog instrument. Nobody forces you to confine the use of your bass buttons to "on" and "off" which means that you can play them percussively, with a definite note start and an indefinite decay where the note fades out instead of persisting as a drone. Here is an example (I mismanaged my sound recorder, so all you get is the camera sound)
 
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