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I think it's both. An MM register with very mild tremolo (not very wet as often used in this music), reverb and additional backing tracks... it all helps to create a sweet sound.
(I only listened to part of one song. The link leads to a page with an uninteresting trailer without accordion.)
I checked out a couple of clips but each is different,
a lot is playback over a different recording
Indifferent is playback front to back
La Banquet looks like a live recording but is not, but not much editing to the sound, there is the glockenspiel which seems edited in
Autumn Leaves seems a live recording which is very nice indeed
Light post processing, and a great mic, is doing some favors, but I think the most favors are done by the performer just having very excellent expression and phrasing.
Yep, we had a bandoneon clip recently that was quite airbrushed and also had lots of montage editing that glossed over phrase breaks. But . . . it was still super-duper lovely.
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