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Meerkatdawg
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That's kind of what I hoped...practice the nerves away. I've found playing from memory very helpful too, as you can't sit worrying about the music when you've to concentrate on remembering the piece - as long as it's not just muscle memory you're using.
Unfortunately...morris dancing's a bit thin on the ground here!
Unfortunately...morris dancing's a bit thin on the ground here!

Anyanka said:Nice recording! I play terribly when I try to record.
However, I got over the performance nerves (to a large extent) by playing in front of people again & again. It took over a year, but now I just enjoy it. Morris is a good practice, because you're drowned out by the bells and people watch the dancers; I also play for French dance and ceilidhs, and again - the dancers are busy and don't watch the band or listen to closely.
re making faces... Tweed told us to smile when we make a mistake. It's a very good trick because smiling makes you feel good, and there's a chance of fooling the audience into believing that it was a) deliberate and/or b) jazz.