That is the main issue for a person who lives in Michigan, like me, with no accordion stores and no repairmen. So, if I want a CBA and I look for used ones, I find very few of them on line, mainly on reverb or E Bay, some from individuals who are selling the accordion of their grandparents and I have no idea abut its condition, or,often, from sellers from Ukraine that sell vintage russian bayan accordions at low prices, but again, you buy it blind and if the accordion has problems, you do not know what to do, and if you ship it for repair out of state, that defeats the purpose of saving money buying used. That is the main reason why I, finally, decided to spend 1,200.00 on a new CBA, yes made in China but al least brand new and backed by a reputable accordion store. If I love CBA and decide to continue my learning, I can always trade in the E.Soprani in the future and get a better quality instrument. If I do not stick with the CBA, I can re-sell it and at the end I will lose just a few hundred dollars. All the forum members that told me that I was doing the wrong thing, and told me that I was getting junk and that I should have bought used, are probably from countries where CBAs are popular and accordion techs are available. It is not my case. P.S. I received the E. Soprani yesterday. I cannot vouch yet for its durability, but it has a really beautiful full sound, everything works flawlessly, as far as I can judge the intonation is spot on, and most importantly, the accordion is super responsive, all bass buttons respond without hesitation (my diatonic Compadre, for example, is a bit slower with the response of reeds). I am no expert, but the instrument seems absolutely fine, at least for now.