ColoRodney
Active member
I was in at the Granet Museum in Aix-en-Provence, and saw this painting from 1735 by Hyacinthe Rigaud. (I happened to be in Aix on the one day of the month that there's a jazz manouche jam at the 3C Cafe, but since I hadn't brought my axe I had to sit in on piano instead of accordion. But that's another story.)
The informational label described the instrument in the painting as a "musette," which reminded me that most sources say that the Parisian description of accordion as "musette" comes from the "bal musette," dance music originally brought in from the countryside and played on a bagpipe.
Based on this painting, the French musette bagpipe was similar to the uillean pipes in that it uses a right-arm bellows to fill the bag rather than the mouthpipe used by Scottish and Balkan pipes I've seen. I've played with several uillean pipers, but I've never seen a set this fancy. The dog seems to like it.
(Sorry about the blue blotches, that's weird reflections on the glass.)
The informational label described the instrument in the painting as a "musette," which reminded me that most sources say that the Parisian description of accordion as "musette" comes from the "bal musette," dance music originally brought in from the countryside and played on a bagpipe.
Based on this painting, the French musette bagpipe was similar to the uillean pipes in that it uses a right-arm bellows to fill the bag rather than the mouthpipe used by Scottish and Balkan pipes I've seen. I've played with several uillean pipers, but I've never seen a set this fancy. The dog seems to like it.
(Sorry about the blue blotches, that's weird reflections on the glass.)