Can anyone recommend a non cassotto accordion for playing jazz, double cassotto is too heavy and I must have full size keys.
This guy (Zignat Visoky) plays them professionally., I wondered about that model but have never heard one.
Well, its certainly not jazz, but a 50 year old 41/120, 4/4 Scandalli Brevette sounds like this:John
Thanks , I wondered about that model but have never heard one. I will have a look for one
Can anyone recommend a non cassotto accordion for playing jazz, double cassotto is too heavy and I must have full size keys.
....for playing jazz, double cassotto is too heavy and I must have full size keys.
I posted is just a while ago: "poor man's cassotto"...
some pale imitation with a funny cardboard thing stuffing it up
or an accordion that is inspiring to pick up and play ?
Nu Elck Syn Sinsome pale imitation with a funny cardboard thing stuffing it up
or an accordion that is inspiring to pick up and play ?
I have tried and had success with the lead based soundproofing material stuck under the grille , as recommended previously somewheresome pale imitation with a funny cardboard thing stuffing it up
or an accordion that is inspiring to pick up and play ?
It must have full size keys because I do not have slender fingers.
Now, let's talk specs. What are you after in an accordion? The number of keys and buttons? The voices? A classic celluloid or a natural wood finish? Spill the beans, and maybe, just maybe, someone will unearth a gem that's not your run-of-the-mill squeezebox.
oh that doesn't look half bad
Well Colin, I was thinking that you might like the cut of this Manfrini's jib...It must have full size keys because I do not have slender fingers.
Less than 10 kg or close to. Getting a bad right shoulder.
37/96 or 41/120. I can manage with 37/96 but I am told that larger accordions sound more mellow.
Prefer LM , lighter weight.
Celluloid is ok, sounds good to me.
Budget £2500 max.
I am not all that convinced that this is mandatory. Things are a lot more cramped on a CBA and people with non-tiny fingers still manage to make do there. I'd give whatever sounds right a serious try. Your weight requirements would otherwise rule out a lot of possibly suitable candidates.It must have full size keys because I do not have slender fingers.
Thanks Dak, I am not sure about sound samples, there are so many people out there with a room full of microphones and stuff, and then I listen to it through my ipad and headphones, I am grateful for personal recommendations.I once had a lady-size 41/120 3/4 reed "Contello" accordion that had leather valves, likely tipo a mano reeds and a very lyric M register (there's the rub: the L register was not that hot on its own). No cassotto, comparatively light, only 5 registers (L a bit ænemic, M dreamy, H comparatively pointless as a standalone register, LH a reasonable tango register, LMH a very punchy sound almost like rock guitar). If the range and volume (on the more decent side) would be ok, that M register would have been a good fit. The bass side was nothing to write home about but for ensemble play you would not use it.
So in a gist: look around and play things. Sometimes there are small accordions that are surprisingly good in some respects. I think Contello was some artificial brand for some smaller instruments imported from Italy to the U.S. Could be that you find something like that for sale, and then listening for sound samples might be worth a try.