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Removing treble keys on a Serenelli accordion

there were 3 sizes of 41 key 120 bass accordions during the golden age of accordion schools

approx 15"keyboard was the smallest, somewhat hard to find today

approx 17 1/2" referred to as "Ladies" size or Stroller size,
rarely found with LMMH most common as LMH or LMM

and full size approx 19" with all the naturals next to each other
on the same reedblocks pretty much
 
there were 3 sizes of 41 key 120 bass accordions during the golden age of accordion schools

approx 15"keyboard was the smallest, somewhat hard to find today

approx 17 1/2" referred to as "Ladies" size or Stroller size,
rarely found with LMMH most common as LMH or LMM

and full size approx 19" with all the naturals next to each other
on the same reedblocks pretty much
And there are more sizes... The Hohner Morino M series for instance uses keys that are a bit wider than the normal Italian "full size" (like the Morino N and S series). And then modern convertor accordions with 45 or 47 notes have just slightly narrower keys (about one key width narrower over the whole length of the keyboard... But in the end you can get used to any width.
 
VanDeimenian??

Your bio sez the land of the long white cloud! ;)

Ah yep, you got me! I'm over in Aoteroa NZ at the mo finishing up a music therapy degree - hoping to get the accordion into nursing homes etc. like Ventura. I'm trying to work out what this accordion plays - it seems to prefer latin music at the moment.
 
Ah yep, you got me! I'm over in Aoteroa NZ at the mo finishing up a music therapy degree - hoping to get the accordion into nursing homes etc. like Ventura. I'm trying to work out what this accordion plays - it seems to prefer latin music at the moment.
Now that really is a field of study which is well worthwhile!
But you had to go to NZ to access instruction?
Shades of the evil "Arts students must pay greater fees than STEM" philosphy of the Scummo government.
The value of art and music therapies and animal companionship is slowly becoming recognised, even though it has been staring us all in the face for almost ever amongst those of us with a capacity for observation and analysis.
 
I understand this handsome, compact, full-specified (41/120) accordion has a 17.5" keyboard, weighs 8.5Kgs/18.7lbs and has 3 voices.
It looks like a good restoration project.
 
zdvon, I suppose a reply this late is of little use, but, if anyone else is wondering, here's an answer to your query (which doesn't seem to have been answered exactly...).

I've recently been given a smaller, closely-related Serenelli, ostensibly a wreck, from which I hoped to salvage some parts and materials. Compared to other boxes that I've acquired, once the filth was removed, it's in surprisingly good condition, with no mould, pest attack, or corrosion whatsoever, despite its years, neglected, in a shed. I'm having difficulty deciding whether to break it for spares, or restore it. I'll ask the forum for advice, in another thread.

The keyboard in the two Serenellis is the same design. You can see what look like large-diameter washers around the pivot rod, either side of each key rod. These are, in fact, flanges on bushes which pivot on the rod, which cannot be removed. The key rods have a slot on their lower surface, open at the bottom, and are a push-fit into the space between the bush flanges. Once the key springs are unhooked from the chassis, the key can be pulled vertically upwards (at 90 degrees to the plane of the key facing). Some on my box put up a bit of a fight, but were easily pulled with parallel-jaw pliers. If you're going to apply force, try to apply it as close to the pivot axis as possible: you don't want to deform the key rod where it's weakest, over the pivot - the rod is very soft alloy. The keys are moulded plastic: it's all a bit flimsy.

Hope this helps someone. I'll post pix, if it would help anyone.
 
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