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What would you say is a jack of trades accordion?

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Now, about that “Jack of All Trades” accordion. Let’s face it, with the exception of vocalists, and we hope they are animated, a musician is a person who makes an inanimate object sing. So, it’s true that it might be the accordionist who’s potentially the ‘Jack of All Trades,’ not his accordion. While it’s true that chromatic accordions (PA and CBA) can provide more notes per octave than diatonic accordions, they sure don’t sound like diatonic accordions. And finally, it makes little sense to say that a particular accordion sounds comfortable in every genre of music, it makes much more sense to say that an accordionist has put in the work required to play convincingly in every genre of music.
 
we could take history as a guide, though it no longer fits because times
have changed so much

but in the old days we were generalists, and we played a million and one gigs
on big black LMMH accordions tuned gently for musette

we went everywhere, we were the leaders of the small combo's and local bands,
anywhere there wasn't a Piano you had an Accordion based band helping
people get married, get divorced sometimes, get their kids graduated,
christen their boats, play ethnic music at one of the thousand different
old Europe style congregations (in Pittsburgh as many big USA cities, damn near
every country and variation of Catholic religion was represented in some corner
of town and we had to play their music) then the Jazz clubs and regular niteclubs
where we would make it a quintet with Vibes

you name it we played it..

most months i easy played 60 or more gigs with my own and assorted other bands

(a good Box Man was always getting calls to sit in)

general purpose accordion.. you betcha.. big and black and powerful with good
strong sound and reliable oh my God reliable

yeah they don't make them (or us) like that anymore

we did it all on those big black accordions and accordion/organs
 
Walker: "But if folk believe the button accordion is the ultimate jack of all trades instrument, then who am I to argue - it certainly has lots of buttons."
Depends on which 'folk' you are listening to, I suppose, but they could hardly be described as rational people if that is actually their belief.
As ever, it is a case of "horses for courses".
 
"glass enthusiast " is keen to take up accordion.
He's here hoping to get some help.
This forum is rightly appreciated for generously sharing its experience.
How about helping the OP out before he decides he may be drawn to an accordion but is a bit too puzzled by accordionists?
 
Richard, old chap, whenever have the worlds of music and art ever presented anything other than puzzlement to people of logical minds?
Accordionists, like every other sentient being, are a very varied bunch and that which suits one person may be an anathema to another.
The initial question, from an aspiring accordionist, fits into that concept of "How long is piece of string?", to which a rsponse might be: "What kind of string?"
My answer? - Get hold of a squeezebox, any kind of squeezebox, one which is in good physical and operating condition and which sounds sweet to the ear, and play with that for a while; in the meantime seeking out and listening to as many kinds of associated music and its performers as practicable.
I'm at that beginning stage, so I advise from a position of beginners' uncertainty.
From a purely practical viewpoint, buy whatever is in general circulation in the region in which you live so that when you finally decide on a particular style/format/tonality etc. you can, if needed, easily dispose of the initial purchase with ease having eventually found a more suitable instrument, if that is the case.
Unless you are lacking in versatility and adaptability, moving from one style/shape/form/system to another is not going to be too much of a problem.
And just be content to know that most top musicians started serious learning at a very early age, building on a foundation of inherent talent and with lots of familial encouragement; and many of them are not routinely playing the on kind of instrument/s on which they began their musical journeys.
It's all a bit of an adventure really and, for me, the joy is in the discovery and learning, far more than the ultimate performance ability.
 
A chap: something that has been cracked and roughened by external events. I'll take that.
PS:
"glass enthusiast " is keen to take up accordion.
He's here hoping to get some help.
This forum is rightly appreciated for generously sharing its experience.
How about helping the OP out before he decides he may be drawn to an accordion but is a bit too puzzled by accordionists?
 
Dunlustin,
I suspect the relevant meaning of "chap" (on this occasion) is as follows:
"What is a chap in Australia?
chap (plural chaps) (dated outside UK and Australia) A man, a fellow."
Or, as the Americans might say, a "guy".
🙂
 
Chaps are worn by Amercan cowboy accordionists to protect there legs from thorny thorns out on range, or stylish motorcyclists protecting their image, often in leather.

Give me a pm, glass, and come on down to my house, baby, I'll give you a jack of all trades accordion. Or 2.
 
Try to find one that can do this...
No instrument is suitable for everything a music creator (composer) can come up with.
Impossible.png
Interesting composition...

I would think it can be performed on any accordion with a double bellows... the modern bercandeon should manage it :)

On this video it looks like each keyboard can be fed with a separate reservoir of air.
 
My 2 cents… a piano or chromatic button accordion with either 3 sets of treble reeds in LMM or 4 reeds LMMH or LMMM; either option with a moderate mussette tuning will allow you reasonable register options to approach different genres. It’s not going to spot on for everything but it will generally work. The more important things are for it to be of half decent quality, fit you (keyboard size), and be in proper serviceable condition.
 
Reminds me that in realty, the 3 most important things are location, location, and location. In accordions they are condition, condition, and condition.
 
You already got some beauties, E!
 
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