boxplayer4000
Prolific poster
Chinese + Hohner.
A friend who plays a lot, frequently using air travel, has reduced his risks of the usual damage associated with air travel and accordions by using a cheaper Chinese Chanson for some of those gigs, hence his need for a tune-up of one of those instruments.
From experience I know the Chanson as a sturdy, middle range instrument and the one above is no exception. As with all accordions the leather valves are not expendable and are the item requiring most attention. That aside the instrument is taking life in its stride and remains airtight, the keyboard remains in good condition, the woodwork remains stable, the wax appears to be still doing its job etc.
The single item, to my mind, making the biggest difference to the quality is the reeds. The Chinese reeds are of a noticeably lower quality; they’re less responsive, leak more air and the harmonics are less well defined and lacking in the top ranges.
I know many will not agree that, reeds aside, the Chinese instrument is middle range/fairly good but while I was making the adjustments to this one I idly wondered what it would sound like if the reeds were replaced with say, Hohner T quality reeds. There’s certainly plenty of those reeds around. I think they started making the early T reeds in the 1930s and the last time I looked they were still for sale on the Hohner site. No doubt the T reeds have evolved over the years but I have used quite a few over the years for spares and found that they tuned in well against other reeds.
It might well be a project I’ll take on some day if the right instruments come to hand.
A friend who plays a lot, frequently using air travel, has reduced his risks of the usual damage associated with air travel and accordions by using a cheaper Chinese Chanson for some of those gigs, hence his need for a tune-up of one of those instruments.
From experience I know the Chanson as a sturdy, middle range instrument and the one above is no exception. As with all accordions the leather valves are not expendable and are the item requiring most attention. That aside the instrument is taking life in its stride and remains airtight, the keyboard remains in good condition, the woodwork remains stable, the wax appears to be still doing its job etc.
The single item, to my mind, making the biggest difference to the quality is the reeds. The Chinese reeds are of a noticeably lower quality; they’re less responsive, leak more air and the harmonics are less well defined and lacking in the top ranges.
I know many will not agree that, reeds aside, the Chinese instrument is middle range/fairly good but while I was making the adjustments to this one I idly wondered what it would sound like if the reeds were replaced with say, Hohner T quality reeds. There’s certainly plenty of those reeds around. I think they started making the early T reeds in the 1930s and the last time I looked they were still for sale on the Hohner site. No doubt the T reeds have evolved over the years but I have used quite a few over the years for spares and found that they tuned in well against other reeds.
It might well be a project I’ll take on some day if the right instruments come to hand.