jwgrosser
Newbie
I play professionally and love my stable of Excelsiors - Symphony Grands, one previously owned by Charles Magnante, and a rare LMMM ordered by Art Van Damme, a 140 base (extra minor 3rd bass row) dry tuned, and a wet tuned that I use as my go to acoustic gig accordion -- BUT I also love my 2 Roland FR-8x accordions. I admit I have tweeked many of of the sounds, and it is nice to be able to control accompaniment of orchestral sounds and drums. The only thing I have found the FR-8x CANNOT DO is bellow shakes as an acoustic can but is well up to snuff that an acoustic is capable of in ALL other respects. I have used the Roland V accordion to play w Symphony Orchestras and at one point used it as the solo instrument reproducing the guitar score for Vivaldi's "Guitar Concerto In D" with a little tweeking to satisfy the Conductor, who was hesitant to use the accordion substitute when the guitarist backed out of the concert 2 weeks before the performance. I can live without the bellow shake, or carry an acoustic accordion to a performance if it is something I really want to do, or work through the programming since some folks have been able to develop a decent bellow shake with the Roland FR-8x. I mostly play jazz, and don't use bellow shake in those gigs anyway. There is a place for both acoustic and digital accordions, ideally it is nice to have both, but the choice depends on the player and how they use their accordion. My favorite is to still play acoustic and have a number of fine musicians around me making music, but the digital accordion allows me to do it alone if I cannot book a number of supporting musicians. I do make more money playing solo, but it is a lot less fun.