Glenn said:Petosa?
Never heard if it.
Where are they made Jim?
Adam-T said:The best value classic of course is the Hohner Atlantic-IV , preferably the "N" version . a totally unique sound which in Musette form IMO beats the Morino models soundwise
how much are these to buy ?
I missed that one by a whiskerAdam-T said:I sold mine for £400 . it was an N Musette in lovely playing condition and almost as nice as the Concerto in condition with original case .......
Adam-T said:the best value ones are the HohnerVOX 4 ones
Knobby said:This is what I have, although the delux version rather than the N, which came with its electronic box. I just wish I knew how to work it all. It also came with a midi converter which no one, even the manufacturer, knows how it works. So at some point Ill have to do lots of experimenting.
Adam-T said:the best value ones are the HohnerVOX 4 ones where the electronics box has been lost - they`re basically a standard atlantic with switches on the panel for an external electronic box (there`s no electronics in the accordion, just switches) . these , or ones where the switches have been removed go for a lot less as they look a mess unless a new (very expensive) grille is fitted - I saw one with gaping holes where the switches were go for £250 - it looked awful but it`s the same as any other Atlantic to play and soundwise , once a new grille is fitted, it becomes a standard Atlantic .
Adam-T said:Delux means that it has a wrist coupler bar and more gold colouring on the grille basically - you get N deluxe models - the N ones are easily distinguished by the white Gola style couplers with no dots on them (N = new version as far as I can tell in Hohners but they often decided to make newer versions than N such as in the Concerto line) ..