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On the 940, I can only take credit for the keyboard work, a bit of leveling, gluing pads, sanding and buffing scratched keys. Gary Anderson in Burlington Ontario did an excellent job retaping the bellows and tuning from a excessive vibrato to a mellow swing tuning. It's a wonderful accordion now, but you probably already know what it looks like. Here's the Camillo though. The pic doesn't do it justice, the deep red, the pearlescent keys, all almost showroom fresh from 1966. Sounds great too, great reeds, built to professional standards I think. Tacky? No!
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