davidplaysaccordion
Active member
Challenge myself with harder pieces is pretty much my constant mantra. Working on Bolero right now, almost made it past page 3. Four to go….
Unfortunately this is the rub......when I see the schedules of people who really tickle me emotionally I'm quite in awe.....“In a few words, then, practice is the deliberate, creative process of improving musical ability and of mastering music for performance.” Gerald Klickstein
Good thing it’s not a contest! Be kind to yourself, Lost. You’re as good as you need to be. You’re playing from your heart with emotion and expression. Ain’t it enough?Unfortunately this is the rub......when I see the schedules of people who really tickle me emotionally I'm quite in awe.....
Oscar Peterson, starts playing aged four, played four hour gig, guys stay behind three hours to rehearse for tomorrow....goes home, has a kip wakes , practice alone for three hours before gig...
Bill Evans, starts playing aged six, performing at 14, reaches 28 as professional totally pissed be can only play classics from sheet music, locks himself in a closet and only comes out when paid work or the need for his next smack hit urges him..
I realise that nothing I ever play will be sublime....so I'll contently waste my own time...doing my own thing.....inimitability is the best I can aspire too....
I come to this forum to see/hear/talk about accordion, but my profession is clinical psychology/psychotherapy, and I gotta say: Often what I see on this forum is great examples of empathy, support, compassion, encouragement, etc. in ways that even though I am trained psychotherapist I am totally still learning from you guys. It helps me help my clients. Case in point is your words here, Tom.Good thing it’s not a contest! Be kind to yourself, Lost. You’re as good as you need to be. You’re playing from your heart with emotion and expression. Ain’t it enough?
True! I could have included both…I ticked 'other' as I am working on playing from memory. I actually wrote an essay at uni last year about the blurring between 'playing by ear' and 'playing from memory'.
Thanks!I come to this forum to see/hear/talk about accordion, but my profession is clinical psychology/psychotherapy, and I gotta say: Often what I see on this forum is great examples of empathy, support, compassion, encouragement, etc. in ways that even though I am trained psychotherapist I am totally still learning from you guys. It helps me help my clients. Case in point is your words here, Tom.
(Marking Tom's answer but I have seen countless examples from many people on the forum).
Much appreciated
True! I could have included both…
Can you post the relevant discussion?It was quite the revelation for me. I'd spent a year in a band memorising tunes, before I realised the other members didn't memorise, they just used their ear... something I can't do Still, my essay about this revelation got me a decent grade, so it's not all bad!
The more I think about this the more I think I need to be more bold. 3 hours memorized should just be a given. I should think about playing a larger proportion of songs that contain singing and/or originals.I’m still going to have to go with repertoire for another year. I think I could do 3 hours memorized/improvised next summer if I really work on it.
Can you post the relevant discussion?
……and to make more mild to wild videos we hope!Any possible health issues aside, 2025 is MY year. I'll finally retire (if not fully, most definitely reduce to part time), so by near end of year just the thought of being able to say "I have no excuse to put in 10 hours a week to practice and expand my repertoire" is all I'd really want.