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What is the best Hanon for Accordion?

The third book is more about the left hand. The first example in the first book is, in my opinion, not good for the accordion player. It involves holding the fifth finger down while playing with the other fingers. I don’t recall exactly how, but I found it painful. And pain usually means that something is wrong. I would have to look for it again to clarify.
I understood. These exercises are good as long as you maintain good hand posture, keeping non-touching fingers relaxed, playing at a slow tempo and using less muscle strength to avoid causing pain.
 
Oh, how wonderful! 😁👏🏻 The "German Czerny"! "Grüße aus Brasilien!" 😁 I liked this version of Czerny, I'll look into it. The "German Hanon" was written by Curt Mahr in the book "Moderne Akkordeontechnike", do you know it? It's a shame he only wrote for the right hand, but in volume 2 he suggests studying them all with both hands in unison.
 
Up till recently I was still using Albert’s Scales & Exercises for the clarinet since I had found it very useful with said instrument. However, I felt the need for something to deal with both hands and came across a Kindle book titled ACCORDION TECHNICAL EXERCISES by Piotr Tadrzynski. It boasts over 600 exercises and was priced at £6.50 ‘ish. A copy of it now resides with all my scores in forScore on my iPad. I’m finding it helpful but the order/layout of chapters seems a little disjointed, has anyone else come across it?
 

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Up till recently I was still using Albert’s Scales & Exercises for the clarinet since I had found it very useful with said instrument. However, I felt the need for something to deal with both hands and came across a Kindle book titled ACCORDION TECHNICAL EXERCISES by Piotr Tadrzynski. It boasts over 600 exercises and was priced at on £6.50 ‘ish. A copy of it now resides with all my scores in forScore on my iPad. I’m finding it helpful but the order/layout of chapters seems a little disjointed, has anyone else come across it?
Hello, dear Rodney! How are you? Unfortunately, I don't know this book... To give an opinion, I would need to see it and study it. Could you please send me the PDF of the book? The difference with Hanon is that he works with notes (and finger movements) in different sequence formats and patterns. Studying only scales, arpeggios and chords will limit you to certain movements...
 
Hello, dear Rodney! How are you? Unfortunately, I don't know this book... To give an opinion, I would need to see it and study it. Could you please send me the PDF of the book? The difference with Hanon is that he works with notes (and finger movements) in different sequence formats and patterns. Studying only scales, arpeggios and chords will limit you to certain movements...
Hello Felipe, I’m fine thank you for asking and thank you for your response. Due to copyright I can’t send you a copy, However, if you get a free copy of Amazon’s Kindle, you’ll be able to get a free sample of the first few pages of the book, which includes the table of contents/list of chapters and some of the first pages which provides a reasonable insight as to the writer’s approach (no doubt in the hope that readers will make a purchase).
 
Hello Felipe, I’m fine thank you for asking and thank you for your response. Due to copyright I can’t send you a copy, However, if you get a free copy of Amazon’s Kindle, you’ll be able to get a free sample of the first few pages of the book, which includes the table of contents/list of chapters and some of the first pages which provides a reasonable insight as to the writer’s approach (no doubt in the hope that readers will make a purchase).
Hello, Rodney! I want to thank you very much for your advice. I downloaded the sample pages. I really liked the idea of the book. It is a book about mechanisms, which teaches you how music works on the accordion, but does not necessarily teach you how to develop speed. Hanon is more specific on this point. And unfortunately, I noticed some mistakes in Music Theory, Harmony and fingerings in the book you recommended to me... Some fingerings are not practical... There are some things in "modern teaching" that complicate things a lot and do not clarify as much as the "old school". There is no way around it, some subjects have no shortcuts...
 
Hello, Rodney! I want to thank you very much for your advice. I downloaded the sample pages. I really liked the idea of the book. It is a book about mechanisms, which teaches you how music works on the accordion, but does not necessarily teach you how to develop speed. Hanon is more specific on this point. And unfortunately, I noticed some mistakes in Music Theory, Harmony and fingerings in the book you recommended to me... Some fingerings are not practical... There are some things in "modern teaching" that complicate things a lot and do not clarify as much as the "old school". There is no way around it, some subjects have no shortcuts...
Good morning Felipe and thank you for taking the trouble to look at the sample, your comments make complete sense to me. Is the attached Hanon the book you recommend or is there a better version to help me develop my finger speed? (I was astounded how well JB Albert’s scales and exercises helped me achieve speeds on my clarinet that I could only dream of with my arthritic fingers.)
 
I don't know how accordionists are trained in the Balkan Countries, but I think there is at lot that can be learned from their musicians, particularly in terms of right hand finger dexterity...

Here's a clips of Sasko Velkov "sound testing" the treble switches of an accordion. There are times in the video where his fingers go so fast, it's like someone has pushed the fast-forward button on the video...

If there's such a thing as Balkan-style Hanon, I think it would be a monster of a book.

 
Good morning Felipe and thank you for taking the trouble to look at the sample, your comments make complete sense to me. Is the attached Hanon the book you recommend or is there a better version to help me develop my finger speed? (I was astounded how well JB Albert’s scales and exercises helped me achieve speeds on my clarinet that I could only dream of with my arthritic fingers.)
Good morning, Rodney! I am the one who is grateful for the opportunity to read Albert's book! Yes! I really trust the exercises by the French professor Charles Louis Hanon. They were originally written for piano, with the goal of developing finger speed. However, most of the great accordion teachers have written books adapting Hanon's exercises for the accordion, but each accordionist has adapted the left hand in different ways... (that's why I created this topic). I believe you can also play it on the clarinet without any problems, but since you have arthritis, take it easy on the speed... A golden rule: if you feel pain, stop immediately! Rest. When the pain goes away, go back to practicing the exercise more slowly (each person has their own speed limit). I can send you the original version of Hanon's exercises for piano or adapted for accordion. In my opinion, the best version for accordion is by the Argentine professor Enzo Gesualdo, the only drawback is that the text is in Spanish... But with Google Translate everything can be solved. If you are interested in this book, send me an email and I will send it to you. My email: felipe.ventura88@hotmail.com
 
I don't know how accordionists are trained in the Balkan Countries, but I think there is at lot that can be learned from their musicians, particularly in terms of right hand finger dexterity...

Here's a clips of Sasko Velkov "sound testing" the treble switches of an accordion. There are times in the video where his fingers go so fast, it's like someone has pushed the fast-forward button on the video...

If there's such a thing as Balkan-style Hanon, I think it would be a monster of a book.


Hello Walker! How are you? Accordion music in the Balkans is truly wonderful! Accordionists are fantastic!

Wow! Vevkov's video is truly a lesson in speed! I noticed that he adds chromaticisms to everything: scales, arpeggios and chords. I have always defended this idea: instead of practicing the keys in "circle of fifths", why not practice in chromatic order? Unfortunately, Western accordionists do not have a very chromatic mind... Mastering chromaticism helps a lot with speed!

I don't know if Velkov studied Hanon... But he uses the same technique and fingering as Hanon!
 
Hello Walker! How are you? Accordion music in the Balkans is truly wonderful! Accordionists are fantastic!

Wow! Vevkov's video is truly a lesson in speed! I noticed that he adds chromaticisms to everything: scales, arpeggios and chords. I have always defended this idea: instead of practicing the keys in "circle of fifths", why not practice in chromatic order? Unfortunately, Western accordionists do not have a very chromatic mind... Mastering chromaticism helps a lot with speed!

I don't know if Velkov studied Hanon... But he uses the same technique and fingering as Hanon!
It's awesome to be able to connect here with you Felipe... and to think here's me sat in my little house nestled in a Highland valley surrounded by hills... and there's you over on the other side of the world in the exotic climbs of South America!

I have enjoyed your discussion on Hanon and it reminded me of my own studies of many of the exercises, at least on the right hand on piano accordion, directly from the "Virtuoso Pianist" version. I found it helpful over the years along with studying scales and arpeggios - though I would say generally that playing pieces of music, Scottish music mainly, followed by some classical and other pieces were also useful and more enjoyable than exercises alone.

I agree, Velkov has a devastating technique in the video above, though I think it's a common theme in Balkan circles to strive for Olympic levels of technique. That said, I was always very impressed with the musicality and mastery of a number of Brazilian accordionists, such as Gustavo Almeida... but I digress.

All the best.​
 
I can recommend books with exercises similar to Hanon:
1. "La tecnica moderna del fisarmonicista" - Emilio Cambieri, Gianfelice Fugazza, Vittorio Melocchi

and great books with effective exercises by Emanuele Rastelli:

1. "Technique" vol.1 and 2 - https://www.emanuelerastelli.com/en/technique-vol.1---2.html
Ètudes for technique, indipendence, agility and precision

2. "Virtuosity" vol.1 - https://www.emanuelerastelli.com/en/virtuosity-vol.1.html
20 études of high virtuosity and perfection for accordion piano and chromatic system
 
Good morning, Rodney! I am the one who is grateful for the opportunity to read Albert's book! Yes! I really trust the exercises by the French professor Charles Louis Hanon. They were originally written for piano, with the goal of developing finger speed. However, most of the great accordion teachers have written books adapting Hanon's exercises for the accordion, but each accordionist has adapted the left hand in different ways... (that's why I created this topic). I believe you can also play it on the clarinet without any problems, but since you have arthritis, take it easy on the speed... A golden rule: if you feel pain, stop immediately! Rest. When the pain goes away, go back to practicing the exercise more slowly (each person has their own speed limit). I can send you the original version of Hanon's exercises for piano or adapted for accordion. In my opinion, the best version for accordion is by the Argentine professor Enzo Gesualdo, the only drawback is that the text is in Spanish... But with Google Translate everything can be solved. If you are interested in this book, send me an email and I will send it to you. My email: felipe.ventura88@hotmail.com
Good evening Felipe and thank you for your latest interesting response. I’d very much appreciate a copy of Hanon's exercises adapted for accordion! I have osteo-arthritis which is wear at the joints causing stiffness and localised aches, I’m grateful it isn’t rheumatoid arthritis, an inflammatory condition with real pain. Oddly enough the stiffness is worse in my left hand and lessens as I play, solution = practice more!
 
It's awesome to be able to connect here with you Felipe... and to think here's me sat in my little house nestled in a Highland valley surrounded by hills... and there's you over on the other side of the world in the exotic climbs of South America!

I have enjoyed your discussion on Hanon and it reminded me of my own studies of many of the exercises, at least on the right hand on piano accordion, directly from the "Virtuoso Pianist" version. I found it helpful over the years along with studying scales and arpeggios - though I would say generally that playing pieces of music, Scottish music mainly, followed by some classical and other pieces were also useful and more enjoyable than exercises alone.

I agree, Velkov has a devastating technique in the video above, though I think it's a common theme in Balkan circles to strive for Olympic levels of technique. That said, I was always very impressed with the musicality and mastery of a number of Brazilian accordionists, such as Gustavo Almeida... but I digress.

All the best.​
Good evening, Walker! How are you? Yes, this Accordion forum is wonderful! We communicate with excellent accordionists who help us with great ideas. Your land seems incredible! I like highlands! I live in a city in the mountains, 846 meters above sea level, in the Atlantic Forest. We are currently experiencing a very cold winter. My city is very similar to the city of Freiburg in Switzerland.

I agree with you that we also have to play a good repertoire, but playing songs without exercises that strengthen us would be a very long and tiring process. Hanon really sums up the technique of speed. It is also interesting to do it with the left hand in unison, even if you play standard bass. The problem is that Brazilian music is 100% popular and virtuoso accordionists do not have recognition and prestige here... Unfortunately... So we have to evolve through exercises.

I know Gustavo Almeida's work. He is truly excellent and has a virtuoso technique. But unfortunately he is not recognized by the people in Brazil... Unfortunately... But here we have excellent accordionists. Try listening to Eliomar Landim on YouTube. You will like it! Or even my teacher Regina Weissmann. I will post a video of her and would like to know your opinion. A big hug.

 
I can recommend books with exercises similar to Hanon:
1. "La tecnica moderna del fisarmonicista" - Emilio Cambieri, Gianfelice Fugazza, Vittorio Melocchi

and great books with effective exercises by Emanuele Rastelli:

1. "Technique" vol.1 and 2 - https://www.emanuelerastelli.com/en/technique-vol.1---2.html
Ètudes for technique, indipendence, agility and precision

2. "Virtuosity" vol.1 - https://www.emanuelerastelli.com/en/virtuosity-vol.1.html
20 études of high virtuosity and perfection for accordion piano and chromatic system
Hello Piotr! How are you? Thank you very much for your valuable recommendations!

I know and have "La Tecnica Moderna Del Fisarmonicista by Cambieri-Fugazza-Melocchi". This book is not similar to Hanon, in fact it IS EXACTLY Hanon himself. It is a good adaptation for Accordion. My main criticism of it is that among the 38 initial exercises, which are the most important, some are missing. For example: numbers 21, 25 and 29 are missing. Not to mention that among these 38 it only includes up to number 30 and in the original there are 60 exercises in total...

Thank you very much for introducing me to the work of Maestro Emanuele Rastelli. I didn't know him! But I watched his videos and really liked his technique! As soon as possible I will buy his books.

Thank you for the advice. A big hug!
 
Good evening Felipe and thank you for your latest interesting response. I’d very much appreciate a copy of Hanon's exercises adapted for accordion! I have osteo-arthritis which is wear at the joints causing stiffness and localised aches, I’m grateful it isn’t rheumatoid arthritis, an inflammatory condition with real pain. Oddly enough the stiffness is worse in my left hand and lessens as I play, solution = practice more!
Great! I hope playing Hanon with your left hand will give you more agility.

Contact me by email so I can send you Hanon:

felipe.ventura88@hotmail.com
 
I know and have "La Tecnica Moderna Del Fisarmonicista by Cambieri-Fugazza-Melocchi". This book is not similar to Hanon, in fact it IS EXACTLY Hanon himself. It is a good adaptation for Accordion. My main criticism of it is that among the 38 initial exercises, which are the most important, some are missing. For example: numbers 21, 25 and 29 are missing. Not to mention that among these 38 it only includes up to number 30 and in the original there are 60 exercises in total...
I didn't know that is exactly the same....
Thank you very much for introducing me to the work of Maestro Emanuele Rastelli. I didn't know him! But I watched his videos and really liked his technique! As soon as possible I will buy his books.
Maestro Rastelli made some etudes and exercises and promotes his playing technique which works !!
I continue his on-line courses and feel a lot of improvement after a few months :)
 
I didn't know that is exactly the same....

Maestro Rastelli made some etudes and exercises and promotes his playing technique which works !!
I continue his on-line courses and feel a lot of improvement after a few months :)
Perfect, my friend! I'll research more about Rastelli's technique. The important thing is to have good and different technical resources for any style of repertoire.
 
Great! I hope playing Hanon with your left hand will give you more agility.

Contact me by email so I can send you Hanon:

felipe.ventura88@hotmail.com
Good morning Felipe and thank you so much for sending me Hanon 60 Exercises for Accordion.

I read an opinion that Hanon has the downside on consuming time and energy that could otherwise be spent on learning new items of repertoire. I can see the author’s point but apart from developing finger strength and speed, I think the exercises will develop, and maintain, an intimacy of feel with the keys and buttons. Starting a 15 minute or so session with exercises and then working on repertoire in my opinion can only be a good thing.

Thanks again Felipe, our friend in Brazil.
 
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